在斯潘塞的中后期风景画中有种令人感兴趣的、用眼睛注视事物本身而产生的存在感。或者说他将存在者和存在者的存在捕捉进了他的面画之中。我相信他是直面景物写生而成的,手法更直接。不再像以前的作品中宗教、说教气氛那么浓厚了,眼前看到了一景,然后把眼看到的景老实地画下来,没有犹豫,没有骚动,不急不躁,没有过多、多 In Spencer’s mid and late landscapes, there is an interesting sense of presence that arises with the eyes on the things themselves. Or he captures the existence of the being and the being into his face. I believe he is straightforward sketching of the scene, the method is more direct. No longer like the previous works of religion, preaching a strong atmosphere, saw a scene in front, and then see the scene to see the real picture down, no hesitation, no commotion, no hurry, no more, no more