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文章以戏剧艺术的表演主因为生发点,探讨戏剧美学舞台性和表演性的理论依据。阐明戏剧艺术创建一整套有异于日常生活、带有一定难度的、舞台化的动作和一整套以特殊的技术性手段构成的艺术语汇的理论渊源。从中国戏剧的本质规定性的内在要求出发,落脚于元代戏剧美学在时代、社会、历史的具体规定性下对戏剧的舞台性和表演性倾向的确立和表现。总结了元代戏剧舞台表演艺术的可贵探索和巨大成就及其在中国戏剧史和中国文化史上的深远影响。
The article mainly focuses on the performance of drama art because of the germination point, and discusses the theatrical basis of drama aesthetics and its performance. Clarifying that theatrical art creates a set of theoretical origins that are different from everyday life, with some degree of difficulty, arena-based movements, and a set of artistic vocabulary composed by special technical means. Starting from the intrinsic requirement of the essential stipulation of Chinese drama, it settled in the establishment and manifestation of the theatrical and performance tendencies of drama under the specific regulation of the times, society and history in the drama aesthetics of the Yuan Dynasty. Summarizes the valuable explorations and great achievements of stage performing arts in the Yuan Dynasty and its far-reaching influence on the history of Chinese drama and the history of Chinese culture.