《上海王》的主人公筱月桂摆脱了传统的父母之门与丈夫之门,以否定女性命定式的两大规范的方式构筑了_一个属于自己的城堡,宣告了女性自我意识的昂扬。但文本“失婚”“雄化”“暗合男权主义”的内蕴又使“菲勒斯中心主义”的驱逐大打折扣,作者对性别的突围尚在中途。 Xiao Yue-kuei, the protagonist of “Shanghai King,” broke away from the traditional doors of parents and husbands and built a castle of his own by rejecting the two normative rules of woman’s destiny, proclaiming the esteem of women’s self-awareness. However, the implication of the text “lost marriage ” “xionghua ” “concealing the patriarchal ” greatly discards the eviction of “Philausianism ”. The author’s breakthrough in gender is still on the way.