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李志宏先生从五个角度对“实践存在论美学”比之“实践美学”“全面倒退”的论证,在其论证方式、逻辑推论的过程中都存在着较大的疏漏,其对实践存在论主张者的“断章取义”也导致其对实践存在论美学的主张理解上的偏颇。实践存在论美学以马克思主义存在论思想,超越现成论和“主客二分”的形而上认识论的运思路径,对于包括实践美学在内的“传统美学”的超越,是值得且应当予以承认和肯定的。
Mr. Li Zhihong argues that the argument of “existential aesthetics of practice ” rather than “practical aesthetics ” “fully retrogression ” from five aspects has great omissions in the process of argumentation and logical reasoning. Its “out of context” to the existentialist theory of practice also leads to its biased understanding of the existential aesthetics of practice. The thinking of practice existential aesthetics is based on the Marxist theory of existentialism and transcends the metaphysical epistemology of the existing theory and the dichotomy between subject and object, which is worth and should be acknowledged for the transcendence of “traditional aesthetics” including practical aesthetics And sure.