读了《中国花卉盆景》2000年第12期林士坤先生《留空布白应在“舍”字上下功夫》的文章,笔者颇不以为然。依笔者看法,曾先生的雀梅桩景总的看非常舒展,自然而又苍劲,较好地表现了岭南盆景风格(当然也有值得商榷之处)。而林先生修改后的画面自觉不自觉地改变了原树风格,成了“风吹式”树相,与原作者的创作意图大相径庭,其结果已不是象林先生所说的那样只是“留空布白”的增减,而是按林先生自己的爱好将原作改得面目全非,真正是“大刀阔斧取舍”了。但依笔者拙见,就算林先生的 Read the “Chinese flower bonsai” 2000 the twelfth Mr. Lin Shikun “blank cloth white should be” homes “work hard on the word” article, I quite disapproval. According to the author’s opinion, Mr. Tsang’s plum piles look very stretch, natural and vigorous, better performance of the Lingnan bonsai style (of course, there are debatable). Mr. Lin’s revised picture consciously or unconsciously changed the style of the original tree and became a “wind-blown” tree, which is quite different from the original author’s intention of creation. The result is not just “empty” as Mr. Lin said Cloth white “increase or decrease, but according to Mr. Lin’s own hobby will be the original changed beyond recognition, is really” bold choice. " However, according to my humble opinion, even if Mr. Lin’s