每年2月,“荷赛”奖的公布都是摄影界众所瞩目的开年大事。在这个时间段,纪实风格的影像作品会在各类媒体的信息内容中占有较大比重,而我们也被浓重的纪实氛围所笼罩。获奖作品的视觉冲击力、题材的独特性、光影的妙不可言、是否有国内摄影师爆冷门……谈过便罢,纪实摄影没有因此就备受重视,其尴尬位置仍未见改善。重视不代表无限抬高,更不代表排他 Each February, the announcement of the “Heisei ” award is a major event in the photography world. During this time period, documentary-style video works have a large share of the information content of all kinds of media, and we are also overshadowed by a thick documentary atmosphere. The visual impact of the winning entries, the uniqueness of the theme, the fantastic nature of the light and shade, is there any domestic photographer upset ... Speaking about it, documentary photography did not therefore attach great importance to its awkward position has not been improved. Emphasis does not mean unlimited elevation, but does not mean exclusive