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应全苏戏剧家协会邀请,我于1989年11月25日至12月6日,赴莫斯科参加了由该协会举办的“展望一1989”——全苏青年剧院和戏剧研究所的汇演。在为期两周中共观看了15台戏,为了得到更多的苏联戏剧信息,有时一天赶看日夜两场。此外,又应爱沙尼亚剧协之邀,到美丽的波罗的海海滨古城塔林看了三台戏。两个星期的观摩不仅开阔了眼界,也使我对当今苏联戏剧的面貌有了进一步的了解与认识。首先想介绍一下全苏剧协举办“展望—1989”的宗旨和目的。主办单位在一份公告中说:“如果说不久前我们还为不能产生——新的剧院而忧虑,那么今天使我们激动的则是别的东西了。现在在社会上不断出现的大量的剧院一戏剧研究所已达到了想象的极限。这些如雨后春笋般涌现出的尚有待进一步提高艺术质量的演出团体,已成为当今苏联戏剧运动中一股新的激流……它是与我们对戏剧方面所抱的希望和对前景的期
At the invitation of All-China Theater Association, I went to Moscow from November 25 to December 6, 1989 to attend the “Outlook One 1989” - the show of All-Young Theater and Theater Research Institute organized by the Association. During the two week period, the CCP watched 15 plays, and in order to get more information about the Soviet drama, sometimes it was day and night one day. In addition, the invitation of the Estonian Drama Association also saw the three plays in Tallinn, the beautiful Baltic seaside city. Two weeks of observation not only broadened my horizons, but also gave me a better understanding of the face of contemporary Soviet drama. First of all, I would like to introduce the purpose and purpose of the “All-China Drama Association” Prospect -1989. In a statement, the organizer said: "If we were concerned about not being able to produce a new theater not so long ago, then what excites us today is something else. Now there are a large number of theaters that are constantly emerging in society A theater institute has reached the limit of imagination, and these sprung up groups that have yet to be further enhanced in artistic quality have become a new torrent in the contemporary Soviet theater movement. Hope and hope for the future