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最近一段时期,文学成为一个话题,大多带着期盼与焦虑,何以就没有领军人物?何以就没有形成一种整体团队?何以就没有显露出独特的文学标识或品牌?这些问题都提到点子上,其实都包含着对当下中国文学的期盼与焦虑。确实,相比与50代与60代的雄壮强劲的队伍,曾经的战果和攻占的高地,70代一直战绩平平,没有出现可与之比肩的人物。相比之80后的青春锐气,在图书市场所向披靡,70代也显得形影相吊,自甘寂寞。70代作家被称之为是在“夹缝”中生长,是被遮蔽的一代。被50代、60代遮蔽也就罢了,被80后遮蔽情何以堪?这口气如何咽得下?
In the most recent period, literature has become a topic, mostly with expectations and anxiety. Why is there no leader? Why not form a whole team? Why did not reveal a unique literary logo or brand? These issues are mentioned ideas In fact, they all contain the expectation and anxiety of contemporary Chinese literature. Indeed, compared to the majestic and strong teams of the 50th and 60th generations, the previous victories and the heights captured, the 70th generation has been flat-footed with no figures to stand shoulder to shoulder with. Compared to the spirit of youth after 80, invincible in the book market, 70 generations also seem to be hanging out, lonely. 70 generations of writers are called to be in the “crack” grow, is the sheltered generation. Was 50 generations, 60 generations also sheltered it, what is the situation after being shaded 80? How to swallow this tone?