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正确理解风骨的内涵,应全面把握其内与外两部分特征。从外在形态看,风骨应作为一个整体概念来理解,由《序志》篇“图风势”使用“图”来阐释和文章先分再合的行文逻辑可以看出这一点。从内在具体指向看,风骨代表着一种审美理想,是主体内在之“气”喷薄而出的一种力度美。结合六朝文学“讹滥”的时代特征可知,风骨实为时代批评准则,其美学价值对于当代文学理论批评仍具有重要意义。
Correct understanding of the connotation of Fengjian, we should fully grasp the characteristics of the two parts inside and outside. From the external form, the style of the beast should be understood as a whole concept, which can be illustrated by the logic of the first subdivision and reorganization of the essay by the “Book of Prequel” and “Diagram”. From the point of view of inner specificness, Fengjian represents an ideal of aesthetics and is a kind of strength glorified by the inner “Qi” of the subject. Combining the characteristics of the times in the literature of the Six Dynasties period, we can see that the strength of style is the criterion of criticism of the times, and its aesthetic value is still of great significance to the criticism of contemporary literature.