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“疯女人”是20世纪女性文学中常见的母题之一,托妮·莫里森在其作品中将其注入了黑人性,多维度地塑造了父权制和种族歧视双重归置下的“黑色疯女人”形象,再现了她们的愤怒、焦虑、悲伤以及由此产生的疯魔性,同时显示了她们的智慧、勇敢以及对自由的不断追求。她们成为非裔美国女性文学中新兴的特立独行的群体,使得少数族裔女性文学形象更加丰满和立体化。
Madonna is one of the most common motifs in the 20th century feminine literature. Toni Morrison instills it into black sex and multi-dimensionally shapes the dual disposition of patriarchy and racial discrimination “Black crazy woman ” image, reproduced their anger, anxiety, sadness and the resulting madness, at the same time shows their wisdom, courage and constant pursuit of freedom. They are the emerging maverick groups in African-American women’s literature, which make the literary images of minority women fuller and more stereoscopic.