演奏大提琴作品,首先就是要求用准确的把位和灵活的指法把乐谱中的音符、节奏等再现出来。这方面的任务主要是由左手完成的。从形式上看,左手的技巧(如音准、速度、节奏、换把、和弦、揉弦等)复杂多样,难度也较高。如果左手技巧不娴熟,不规范,连演奏作品最基本的要求都达不到,当然就谈不上流畅自如、形神兼备了。因此,左手在大提琴演奏中占有首要的、主动的地位,起着带动右手准确表达作品原意的作用。在大提琴的左手演奏技巧中,手指力度的训练,是需要充 First of all, to play the cello work is to reproduce the notes, rhythms, etc. in the score with accurate bits and flexible fingerings. The task in this area is mainly done by the left hand. From the formal point of view, the left hand skills (such as pitch, speed, rhythm, for the chords, rubbing strings, etc.) is complex and diverse, more difficult. If the left hand skills are not skilled, not standard, even the basic requirements of the performance of music are not reached, of course, can not be smooth and comfortable, both shape and spirit. Therefore, the left hand occupies the primary and active position in the cello play, plays the role of driving the right hand to accurately express the original intention of the work. In the cello left-handed playing skills, finger strength training is needed to charge