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同类意象的演变和重构,是从《离骚》到《九章》的重要发展轨迹之一。《离骚》中的香花芳草没有直接作为抒情主人公的化身出现,《九章》则把抒情主人公比做香花芳草。抒情主人公对时间的感受有漫长与短暂的差异,人的生命节拍有急与缓的区别,人的追昔思往意识也或强或弱,未来意识或迷惘或恐惧。反复出现的媒介意象,在《离骚》与《九章》有种类的多寡之别,人与媒介的关系有主动与被动之分。悖反型意象群的取材由单一到多样,篇幅加大,结构形态变得灵活。
The evolution and reconstruction of similar images is one of the important development tracks from Lisao to Nine Chapters. Fragrant flowers and herbs in Lisao did not appear directly as the embodiment of the lyric protagonist, while the nine chapters compared the lyric protagonist with fragrant flowers and grass. There are long and short differences between the feelings of the hero and the protagonist in time. There is a difference between urgent and gentle human beings’ life beats. The consciousness of the human beings is either stronger or weaker, the future consciousness is confused or frightened. The repeated appearance of media images shows that the relationship between man and the media is active and passive in the kinds of “Li Sao” and “Nine Chapters”. Paradoxical imagery group drawn from a single to diverse, more space, structural form has become flexible.