《人到中年》,真实地表现了中年知识分子的生活、理想和追求,严肃地提出了关心知识分子的重大社会问题,获得了可喜的成功。然而影片那“光明”的尾巴,却是编导者“画蛇添足”的一个败笔。虽然编剧谌容再三解释说:“我不愿意她死。也许我写了陆文婷,对她有了感情。”但是人物的命运并不是感情所能决定的,托尔斯泰的安娜就是一个很好的例证。从故事发展线来看,影片一开始就是奄奄一息的一妇人正被抢救着,这人是谁?是干什么的?为什么会病到如此地步?观众当然急切地想知道。于是,故事紧紧 “Middle of Middle Ages,” a true manifestation of the life, ideals and aspirations of middle-aged intellectuals, seriously raised important social issues of concern to intellectuals and obtained gratifying successes. However, the film’s “bright” tail, but it is a director of “superfluous” a flaw. Although the screenwriter repeatedly explained: “I do not want her to die. Maybe I wrote Lu Wenting, had feelings for her.” But the fate of the characters is not the feelings of the decision, Anna Tolstoy is a very good Illustration. From the point of view of the development of the story, the film is being rescued from the outset by a dying woman. Who is this? What is it? Why is it so sick? Of course, the audience is eager to know. So, the story is tight