七夕诗是中国古典诗歌节令诗中一个较大的诗歌类型,织女形象从民俗传说进入诗人的创作视野之后,其内涵逐渐发生了深刻的变化。她先是呈现为高唐神女式的原型意象,进而表现为闺怨宫怨,最后升华为一种自觉状态中的悼亡。在情感的流向上,呈现为潜意识向意识层面的过渡。 Tanabata poetry is a larger type of poetry in the Chinese classical poetry festival poetry. After weaving female figure into folktastic poet’s visual field of creation, its connotation has undergone profound changes. She first presents the archetypal image of Gaotang’s goddess style, which manifests itself as a grudge and grumbling, finally sublimating into a state of mourning in a conscious state. In the emotional flow, presented as a subconscious transition to the level of consciousness.