在写这篇文章之前,再次观看了宫先生的《龙猫》里面的妹妹这个角色和《悬崖上的金鱼姬》以及我看一遍泪目一遍的<萤火虫之墓》有着独特非常相似的方式,<萤火虫之墓》是一部战争片,严格来说它不是宫先生的作品,只是有先生的参与制作,“昭和20年9月21日晚,我死了。”这是日本动画电影《萤火虫之墓》的第一句台词,即刻为这部作品定下了悲凉的调子。故事从一个小家庭的幸福完整到破坏死亡,侧面已经告诉了观众在这场战争中还有千千万万和哥哥妹妹一样失去亲人,受冻挨饿,最后染病死亡的战争受害人,片子看完给人一种很压抑的感受,两个因为失去战争的孤苦无依的孩子相依为命,直到妹妹因为饥饿和疾病最后嘴里吃着泥巴死去,哥哥也在人来人往,荒凉的街角悄无声息的死去,当音乐再次响起影片达到高潮戛然而止,留下哭着不成人形的观众,先生更多的关注人本身,将平凡的人物和内心世界作为自己作品的焦点他的儿童总是有着最真实的童趣和感情,为大家整理这些文字时,电脑旁正放着<千与千寻》的插曲,源源不断的文字和感想涌上脑海,迫不及待写下来 Before writing this essay, I watched again the role of sister in Mr. Wong’s “Chinchilla” character in a very, very similar way to “The Goldfish on the Cliff” and “Firefly’s Tomb” “Firefly’s Tomb” is a war film, strictly speaking, it is not Mr. Gong’s works, but Mr. participated in the production, “The night of September 21, 1920, I was dead. ” This is the Japanese animated film The first sentence of “Firefly’s Tomb” set a desolate tone for this work. Stories from the happiness of a small family to the destruction of death, the side has told the audience in this war there are tens of millions and her brother and sister lost their loved ones, cold and starving, and finally the victims of war death, the film look End gives a very depressing feeling, two lonely children because of the loss of war each other, until the sister because of hunger and disease eventually eat mud died, brother is also coming and going, desolate corner quietly The death of the sound, when the music again sounded the climax of the film came to an abrupt stop, leaving a crying adult audience, Mr. more attention to people, the ordinary people and the inner world as the focus of his work his children always have The most authentic childlike and emotional, as we organize these words, the computer is on the “Spirited Away” episode, a steady stream of words and feelings come to mind, can not wait to write down