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纸张的发明是人类文化进程中的重要组成部分,纸本艺术同样与艺术家结下了“手绘”的情缘。在这个展览中,我们邀请了20世纪50年代、60年代中国“后生代”的部分艺术家,理论上希望多元地介入中西方文化冲突,构建民族“图示波”的群体理想。21世纪青春中国从幼年步入花季,在制造业的物质文明进程中,艺术家的案头思考正从单一的文化模式及西方模式中蹒跚走出,中国当代艺术的平台让人触目惊心,观念艺术与传统文化的对峙,使中国当代艺术空间立体化,实验艺术的十年发展,
The invention of paper is an important part of the process of human culture. Paper art also forms an “hand-painted ” relationship with the artist. In this exhibition, we invite some artists from the 1950s and 1960s in China to “post-generational generation”, and in theory hope to intervene in the cultural conflicts in both China and the West and to build a group ideal of ethnic “pictorial wave.” Youth in the 21st Century In the process of material civilization in the manufacturing industry, the artist’s initial thinking is faltering out of a single cultural model and a western model. The platform of Chinese contemporary art is shocking, conceptual art and traditional culture The confrontation between China and the United States made the three-dimensional space of contemporary Chinese art and the ten-year development of experimental art.