前言我国有丰富的建筑文化遗产,但由于受“形而上者谓之道,形而下者谓之器”的思想影响,在古代知识分子很少从事建筑技术或艺术的研究,有些专门的典籍如周礼《考工记》、宋《营造法式》、清工部《工程作法》等传至后世不但识者几稀,甚或湮没轶失……。因而传统建筑的发展大都是祖传师承,缺乏系统的总结和研究。到近现代,首先研究我国传统建筑与文化的是国外的学者,如瑞典的喜仁龙、德国的伯希曼、日本的伊东忠太、关野贞等。直到六、七十年前,中国的学者才开始研究自己的传统建筑,校刊出版了建筑古籍——宋《营造 Foreword China has a wealth of architectural cultural heritage, but due to the influence of the idea of ​​“the metaphysical person pretending to be the wise and the device of the inferior”, the intellectuals in ancient times seldom engaged in the study of architectural techniques or arts, and some specialized books and books such as Zhou Li “Kaogongji”, Song “Building a French”, “Ministry of Industry and Engineering” “engineering practice” passed to future generations, not only knowledge of few, or even nothing. Therefore, the development of traditional architecture is mostly ancestral teachers, lack of systematic summaries and research. In modern times, the first to study Chinese traditional architecture and culture is foreign scholars, such as Xi Renlong of Sweden, Berchman of Germany, Ito Tadashi of Japan, and Kwan Ye-jeong. Until six or seventy years ago, Chinese scholars began to study their own traditional architecture. The school published an ancient book of architecture—Song.