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我是以油画的写实主义手法长期投入到我的《江南女孩》人物创作中来的,出于对作品主题的那份关怀和毫不含糊的肯定,到今天为止,它已成为我画面的“方式”,一种生命中所不可缺少的那份养料。我画江南题材的人物,从某种真实性来说,真正所希望追求的是画面中时空关系的若即若离,乃是我所期望的梦境,当然还包括希望达到的动情动心的人物内涵,而我作品中的女孩已成为被瞬间化了的她,这“她”包含着历史流程中丰富的信息,同时也代表着一个重要的文化和历史时期。而我的期望在于用一种意象而极其静默的心灵状态和语言方式去跨越时
I have long invested in the creation of my “Jiangnan Girl” in the realistic style of oil painting. Out of the care and unambiguous affirmation of the theme of the work, as of today I have become the “ Way ”, an essential part of life nourishment. The characters I painted in the Jiangnan subject matter, from a certain authenticity, really want to pursue is the intergalactic relationship of time and space in the picture, which is the dream that I expect, of course, the emotional connotation of hope, and I The girl in the work has become her instantly, her “she” contains a wealth of information in the historical process and also represents an important period of culture and history. My expectation, however, is to leapfrog across the mind and language of an image that is extremely silent