有那么多元素可以诱发一位小说家的写作:绵延不绝的秋雨,混杂着青草气息的清晨,聚会过后的残羹冷炙,黑夜里压抑的哭声,暧昧的波光流转的眼神,沙哑而磁性的声音,深夜里突然响起的电话铃声,或者,一朵小花、一片落叶、一首歌曲、一部默片……大多数情况下,这些元素会藏匿在小说中幻化成一个场景、一段独白、一个精妙的比喻。触摸写作最原初的爆发点是有意思的,因为它是作家最深切的生命体验,往往也最打动读者。眼前这篇《失落的鸽子》,写的是已近三 There are so many elements that can induce the writing of a novelist: the endless autumn rain, the early morning mixed with grass, the scorching cold after the party, the cries of crying in the dark, the ambiguous waves of eyes, Magnetic sound, a sudden ringing of a telephone ringing in the middle of the night, or a flower, a deciduous leaf, a song, a silent piece ... Most of the time, these elements are hidden in the novel into a scene, a monologue, An exquisite analogy. It is interesting to touch the initial explosion point of writing because it is the author’s deepest life experience and often the most impressed reader. In front of this “lost pigeons”, is written almost three