《长生殿》中下场诗各出均采用“集唐”的方式,且都为七言四句,体制整齐规范,在剧中发挥了重要的艺术功能:不仅十分贴合剧情,还适时地营造出了该剧中特定的意境和氛围,丰富了人物形象,并传达出作者之意。洪昇采用“集唐”的方式创作下场诗不仅源自于其诗歌宗唐的旨归,也是展现其文学艺术才能的需求,而且受到了其时诗歌领域“集唐”风气的影响,同时更是以唐诗之雅融入戏曲之俗中,从而提高戏曲之品格的根本目的之所在。 In “The Palace of Eternal Youth”, all the farewell poems in “Yuan Tang” are all collected in the way of “Tang”, all of which are seven sentences and four sentences. The system is neat and standardized, playing an important artistic function in the play. To create a particular mood and atmosphere of the play, enriching the character image, and convey the author’s meaning. Hongsheng’s creation of the ending poems with the method of “collection of Tang” not only originated from the purpose of his poetry, but also demonstrated the need of literary and artistic ability, and was influenced by his poetry field Influence, at the same time it is more to Tang poetry into the folk custom of opera, thereby enhancing the basic purpose of the opera’s character.