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伏案于灯下,在张家祥先生的作品中流连,使我想到了唐张怀罐论神采中的一句话“神采之至,几乎玄微,则宕逸无方矣”。其作品中自然流露的“古朴”、“英气”、
The case under the lamp, lingering in the works of Mr. Zhang Jiaxiang, reminds me of Tang Zhang Huai tank jargon in the words “the best of the gods, almost Xuanwei, the upside down without prescription.” Naturally revealed in his works, “simple”, “British air”,