傅抱石有三方自刻印章:“其命唯新”、“踪迹大化”、“代山川而言也”,这是他终身不渝的信条。《茅山雄姿》一画所展现的恰恰就是新、是真、是美。1965年初夏傅抱石应邀赴位于南京市东南的40公里外的茅山写生。茅山是抗日战争时期新四军根据地,山区的特殊地形使日寇始终未能完全将其占领。50年代以后这里逐渐形成著名的风景疗养区。傅抱石来到这里,抚今追昔,画家的创作灵感 Fu Baoshi has a self-engraved seal on three sides: “It is the only new”, “Greater trace”, “On behalf of the mountains and rivers,” which is his eternal creed. “Maoshan majestic,” a painting is exactly what the show is new, is true, is the United States. In the early summer of 1965, Fu Baoshi was invited to go sketching Maoshan, 40 kilometers southeast of Nanjing. Maoshan was the base of the New Fourth Army in the period of the War of Resistance Against Japanese Aggression. The special terrain of the mountainous areas kept the Japanese invaders completely occupied. After the 50’s here gradually formed a famous scenic area. Fu Baoshi came here, recalled the past, painters creative inspiration