近来,如何进行好的文学和艺术批评,似乎成为引人关注的话题,而这种批评一直是文学艺术获得良好发展不可或缺的力量,对于文学艺术发挥其作为精神产品的价值也至关重要。就像鲍德里亚所分析的那样,在电子文化时代,以提升精神、锻炼灵魂为主要特征的文学艺术欣赏也逐渐内耗,变得虚幻,进而丧失其本真意义。“新批评”非指上世纪20至50年代英美盛行的纯文本批评,而是指在当下感受力普遍匮乏的时代,在批评家积极参与当下文学艺术实践现场的基础 Recently, the question of how to conduct good literary and artistic criticism seems to be a topic of concern, and such criticism has always been an indispensable force for the well-developed literary arts and is also crucial for the value of literary arts as a spiritual product . As Baudrillard has analyzed, in the era of electronic culture, literary and artistic appreciation characterized by the promotion of the spirit and the exercise of the soul gradually becomes internalized, becomes illusory, and then loses its true meaning. “New Criticism” refers not to the purely textual criticisms prevailing in the United States and Britain in the 1920s and 1950s but refers to the critics’ active participation in the current literary and art practice field in an era when the present feeling of power is generally lacking