在流行乐坛模仿港台“一成不变的滥情”模式之后,人们开始对其表现欠佳不耐烦了。一度壮志凌云的各地音乐人,终于也未能陶醉在短暂的辉煌里。虽然原创者、歌手轮番揭竿而起作秀亮相,却显得底气不足,究竟缺少风光,而被市利眼的市场挑得纷纷落马。各类客串和冒牌乐评人的假充内行及其不知所云的乱吹瞎捧,更加剧了流行乐坛的困窘。此时,乐坛把眼光又投向了本土音乐。 After the pop music market mimicked the “static and abusive” model of Hong Kong and Taiwan, people started to get impatient with their underperformance. The musicians who once excelled were finally unable to revel in the brief glory. Although the original creators, singers turn round and make appearances, but it seems lackluster, what the lack of scenery, but the market was eye-catching market pick one after another. All kinds of guest and fake critics of the pretender and its unintelligible chaos Blind, more exacerbated by the pop music embarrassment. At this point, the music has turned its attention to the local music.