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非裔美国人天赋着一种双重意识,这特殊的身份意识不可避免地投射到艺术创作上,呈现出艺术与政治间的矛盾与张力。作为典型的黑人艺术,由斯派克·李执导的《马尔科姆·X》表明,双重意识一方面是羁绊,但亦可以是一种独特的视角与能力。本文将结合非裔美国文化与历史,分析《马尔科姆·X》突破黑白二元对立的桎梏,既符合好莱坞电影的美国主流文化价值观,同时也呈现出非裔美国人抗争的历史与现实,表达出对英雄的敬意和对自由平等的诉求。
African Americans are endowed with a dual consciousness, which is inevitably projected onto artistic creation and shows the contradiction and tension between art and politics. As a typical black art, Malcolm X, directed by Spike Lee, shows that double consciousness is, on the one hand, a fetter, but it can also be a unique perspective and ability. This article will combine African American culture and history to analyze how Malcolm X breakthrough the monotony of binary opposition between black and white. This not only accords with the mainstream American culture values of Hollywood films, but also presents the history and reality of African American protest. To express respect for heroes and aspirations for freedom and equality.