一般比较常见的布贴画,总觉得是作者即兴、随意发挥之作,有点象小品式的,如构想设计当成一件具有独立存在意义的比较完整的工艺美术作品,从普通常用的布料中酝酿新的视觉经验加之介入一些其它工艺手法向自己追求宗旨努力一步。我想也做,有些起色。刚开始的造型仅在具象中略加变形处理手法随之相吻合,技艺工整精确,这主要是了却过去觉得还可以的构图,如果以后有机会题材定会回归到民风民情中去。造型手法也会从民艺中吸取许多养份,带有原始艺术气度的造型也十分让人激动,把具体感受上升为寓意、象征性地经过浓缩的符号则更让人向往,当看材料手法的承受能力。材料、工艺、审美成为工艺作品存在的生命,现代设计更是如此,不然废布将永远是废布,化腐朽为神奇,这需要回到材料自身的语言上来。各种布质材料蕴藏了可观的形式之美,提供了许多可开发的潜力,这需要大量的尝试,材质的品格之美应与造型手法相一致,布质的品味是大不相同的。棉毛 Generally more common stickers, I always feel that the author improvisation, free to play for a bit like a style, such as the concept of design as an independent existence of the more complete arts and crafts works, brewing from the common fabric commonly used in new The visual experience coupled with the involvement of some other techniques to their own pursuit of the purpose of one step. I want to do, some improvement. The beginning of the shape only in the image of a slightly modified metamorphosis practices follow, art neat and accurate, which is mainly used to think that the composition can be used in the past, if the opportunity to have a future theme will return to the folk customs. Modeling techniques also draw a lot of nutrients from the folk art, with the original artistic attitude of the shape is also very exciting, the specific feelings up to moral, symbolic condensed symbols are more desirable, when looking at the material technique The ability to bear. Materials, craftsmanship, and aesthetics become the life of a work of art, especially in the case of modern designs, or the waste cloth will always be a waste cloth, turned into a magical thing, which needs to go back to the material’s own language. All kinds of cloth material contains a considerable amount of beauty, provides many potential for development, which requires a lot of experimentation, material, the beauty of the character should be consistent with the modeling practices, the quality of the cloth is very different. Cotton wool