弗兰克.奥哈拉是“纽约派”诗歌的代表人物,在美国后现代诗坛占有举足轻重的地位。然而,多年来,对于奥哈拉的研究只停留在其诗歌的先锋技巧和语言实验的层面上,而忽略了其诗歌中蕴涵的十分丰富的社会文化因素。文章对奥哈拉创作的社会历史氛围,以及他的诗歌文本进行了全面、深入的研究,并特别关注了其诗歌中诗学与文化复杂而独特的关系,并结合诗歌文本进行了深入的探讨。 Frank O’Hara is the representative of the “New York school” poetry, occupying a pivotal position in the American postmodern poetic world. However, for many years, the study of O’Hara only stayed on the vanguard skills and language experiments of his poetry, while ignoring the very rich social and cultural elements contained in his poetry. The article has a comprehensive and in-depth study on the social and historical atmosphere and his poetry texts created by O’Hara, paying particular attention to the complex and unique relationship between poetics and culture in his poems and conducting an in-depth discussion based on the poetic texts .