通过对《诗化哲学》与《美学四讲》相关论述的分析认为,马尔库塞美学理论的前期接受中存在着一种去政治化的倾向。去政治化是“告别革命”的产物,马尔库塞的美学以此种方式参与中国新时期美学热的进程有其必然性和合理性,但也带来了诸多问题。因此,恢复马尔库塞美学的本来面目,有助于我们对美学与政治之复杂关系的理解。 Through the analysis of the related theories of “Poetic Philosophy” and “Aesthetic Four Speeches”, it is considered that there is a tendency of de-politicization in the early acceptance of Marcuse’s aesthetic theory. To politicize the product of “farewell to the revolution,” Marcuse’s aesthetics has its inevitability and rationality in this way to participate in the process of the new era of aesthetics in China, but it also brings about many problems. Therefore, the restoration of the true face of Marcuse’s aesthetics helps us to understand the complex relationship between aesthetics and politics.