“样式”(maniera,意大利语,兼有形式和风格的意思,历史上指十六世纪的风格)或“样式主义”这个术语从十六世纪一直沿用至今,指的是在达·芬奇、米开朗基罗和拉菲尔所代表的文艺复兴古典主义的高潮和以卡拉契兄弟、卡拉瓦乔、贝尼尼所开创的新艺术纪元之间那一时期中的复杂的形式化的现象;这种现象出现在意大利并遍及了整个欧洲。在其后的几个世纪中,评论家们对其做出了种种不同的解释,一些评论家认为它是晚期的 The term “maniera” (Italian, both forms and styles, historically refers to the style of the sixteenth century) or “stylistic” has been used since the sixteenth century until now, referring to Leonardo da Vinci, The climax of Renaissance classicism represented by Michelangelo and Rafael and the complex formal phenomenon of the period between the New Age of Art created by the Caracaci brothers, Caravaggio and Benigni; This phenomenon occurs in Italy and throughout Europe. In the ensuing centuries, critics have given them various interpretations, and some commentators regard it as late