论文部分内容阅读
美学研究的审美文化路向与大众文化的审美化生存是当前学界的关注焦点之一。审美文化的大众文化转向,标志着社会学维度的大众文化迅速融入美学维度的审美文化之中,形成了具有浓厚时代意味的大众文化审美化现象。“审美文化”概念的出现,体现了对孤立地研究纯审美活动或现象的不满,表现出当代审美研究的一种新诉求:立足于日常生活世界而对发生于每个人周围的各种泛审美活动加以观照,突现具体审美活动的文化维度及其意义。
The aesthetic culture of aesthetics research and the aesthetic existence of mass culture are one of the focuses of current academic circles. The mass culture shift of aesthetic culture marks that the mass culture of sociological dimension is rapidly integrated into the aesthetic culture of aesthetics, forming a phenomenon of popular culture aesthetics with a strong sense of the times. The emergence of the concept of “aesthetic culture” reflects the dissatisfaction with studying purely aesthetic activities or phenomena in isolation and shows a new appeal of contemporary aesthetic research: based on the daily life world, Pan aesthetic activities to be observed, highlighting the cultural dimensions of specific aesthetic activities and its significance.