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1932年,一批“左翼”人士开始通过编剧、策划、影评等方式,从各个方面引导中国电影向一个健康的方向发展。电影开始以一种狂飙突进的方式,深刻地介入和干预社会生活,使得“左翼电影”成为一个进步时代的表征。从诸多方面看来“,左翼电影”创造了一个时代的文化奇迹:它生就在民族危亡之际“。九·一八”事件发生之后,在日本军国主义的炮火声中,内忧外患的中国民众面对生存还是毁灭的抉择。它突围在外国文化压境的岁月。二十世纪三十年代初的中国,美国电影商品携带着美国人的价值观念,展开了一场文化入侵。面对国民党文化围剿,面对“软性电影”所张扬的“电影是给眼睛吃的冰淇淋,是给心灵坐的沙发椅”,怎样直面坚硬现实,采取一种入世的姿态来制作电影,同时又尽可能保持一定的艺术品格,成为那个时代的难题。“左翼电影”在由默片向有声片过渡的过程中,努力克服技术障碍,使现实能得到更为生动、丰富的还原;并吸收了一些西方电影的观念和技巧,叙事更趋细腻、精微,在画面造型上也进行了许多有益的探索;最有价值的是让现实主义题材成为主流,遂卷起“左翼电影”风暴,留给我们永久的启示。影片《神女》、《大路》、《马路天使》让我们从中领略了一个特殊时代。
In 1932, a group of “left-wing” people began to guide Chinese films to develop in a healthy direction from all aspects through such methods as screenwriting, planning and film criticism. The movie started to intervene deeply and intervened in social life in a hurried manner, making the “left-wing movie” a symbol of a progressive era. From a number of perspectives, “the left-wing film” created a cultural miracle of the times: it was born on the occasion of the nation's demise. “After the September 18 incident, in the sound of gunfire of Japanese militarists, China, both internally and externally, People face the choice of survival or destruction. It breaks through the years of pressure on foreign cultures. In the early 1930s in China, the American movie merchandise carried the American values and embarked on a cultural invasion. In the face of Kuomintang cultural encirclement and suppression, in the face of ”soft cinema“, ”movies are ice creams eaten by the eyes and sofa chairs for the soul.“ How to face the hard reality and take a gesture of joining the WTO to make movies, meanwhile And as far as possible to maintain a certain artistic character, as the problem of that era. During the transition from silent film to audio film, Left-wing Film strives to overcome technical obstacles and make the reality can be more vivid and richly restored. It also absorbs some western movie concepts and techniques, and the narration becomes more delicate and subtle. Many useful explorations have also been made on the style of the painting. The most valuable thing is to make the theme of realism the mainstream. Then the storm of ”left-wing film“ is rolled up and the enlightenment is forever given to us. Video ”goddess“, ”road“, ”road angel" let us have a taste of a special era.