当代书坛可谓繁荣昌盛,但是这种繁荣很大程度上不过是大众文化意识形态的变现。一种“前卫”与“媚俗”、“创造”与“模仿”的张力结构始终构筑着当代书法之坛。在一片喧嚣的兴奋中,已经很难辨出“良”与“莠”的界限。对于保守僵化的怀旧艺术阵营而言,变乱“古法”的先锋与“先锋”的模仿者其实本就是一类“可恶”。对于开拓求变的创新阵营而言,由于南郭先生的投机渗入,使得创造性风格所依据的 The contemporary book market is thriving and prosperous, but this kind of prosperity is largely a realization of popular cultural ideology. The tension structure of “avant-garde” and “kitsch”, “creation” and “imitation” always builds the altar of contemporary calligraphy. In the bustle of excitement, it has been difficult to discern the boundaries of “good” and “”. For the conservative and rigid nostalgia art camp, the vanguard of the “old law” and the imitator of the “vanguard” are actually a kind of “damn”. As for the innovation camp for pioneering and seeking change, due to the speculation infiltration by Mr. Nan Guo, the creative style is based on