在我看来,张江舟的人物画创作实质上体现了一种文化选择。在他看来,现代文明在奢侈地挥霍着欲望,无情地消解着人类历尽艰辛获得的文化理想,进而造成了民族文化的断裂。基于这一判断,他将审美目光投向了中国西部——这是一个由“神秘的宗教文化”“淳厚的民俗遗存”“多彩的民族艺术”“厚朴的民风民情”所构成的文明净土。从上个世纪三四十年代以来,许多著名画家如赵望云、石鲁、黄 In my opinion, Zhang Jiangzhou’s portrayal of figure painting essentially embodies a kind of cultural choice. In his view, the modern civilization is desperately desperately desiring to relentlessly eliminate the cultural ideals that humankind has experienced through hardships, which in turn has caused the rupture of the national culture. Based on this judgment, he devoted his aesthetics to western China - a folk customs characterized by “mysterious religious culture” and “pure and honest folklore” and “colorful ethnic arts” "The pure land of civilization. From the 30s and 40s of the last century, many famous painters such as Zhao Wangyun, Shi Lu and Huang Zai