巨大的钢制结构，如饱经磨砺的海岸．体验着自我存在的悲情；像干枯凝重的巨手，品味着与大自然进行绝望抗争的剧烈的苦痛。作品被安置在陆地、大海和无际空间的交合点，在物的形态相互转化的临界处，奇立达由此探索不同物质的本质特征及其相互间的流变性。这些试图抓住辽阔大 Huge steel structure, such as the rough tempered coast. Experiencing the tragedy of self-existence; like a dignified and hand-dry giant, tastes violent pain of desperation against nature. The work is placed at the point of intersection of land, sea, and immaterial space. At the critical point where objects transform into one another, Chillida explores the essential traits and their interdependence of different materials. These attempts to seize the vast