借助比较文学的跨学科视野,本文尝试提出一种“中国化爵士乐”的概念,并力图从音乐形象的层面渗透到音乐作品的核心层面——音乐意境和价值取向,考察跨文化背景下美国爵士乐在中国的创造性接受现象,并以此来激活音乐变异学研究领域的“他国化”议题。 With the interdisciplinary perspective of comparative literature, this paper attempts to propose a concept of “Chinese Jazz” and seeks to penetrate from the perspective of musical image to the core level of musical works - the artistic conception of music and value orientation, and the cross-cultural background The creative acceptance of American jazz in China, in order to activate the issue of “nationalization” in the field of music variation studies.