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王安忆说过:“我个人认为,历史的面目不是由若干重大事件构成的,历史是日复一日、点点滴滴的生活的演变。”[1]在《长恨歌》里,王安忆采取了一种都市民间的叙事手法,她力图将这种都市民间世界提升到一个具有生命哲学和审美化的高度上,也正是这一点决定了《长恨歌》关注的重点不是传统历史叙事中的英雄人物、国家民族命运,它所着重的是在历史命运中沉浮的
Wang Anyi once said: “I personally think that the historical aspect is not composed of a number of major events. History is an evolution of day after day and bit by bit.” [1] In “Everlasting Sorrow,” Wang Anyi took A kind of urban folk narrative tactics, she tried to promote this urban folk world to a life philosophy and aesthetic level, and it is precisely this point that “Everlasting Sorrow” focus is not the hero of the traditional historical narrative , The destiny of the nation, which focuses on ups and downs in the historical fate