细读赵氏散文,读到两种笔法。一为舒放,一为收聚。两者并不矛盾。写人记事,家长里短,赵阳往往率性写来,随笔记下,像是在奔涌的淮河随意地采撷几朵浪花,浑然天成,此乃舒放;喻古鉴今,咏物托志,则又具有理性之思辨,将理论性阐释全然融入山水游记及博古通今的情感抒怀之中,此为收聚。两种笔法往往合二为一,这正是赵阳散文在艺术上的亮点所在。也就是说,赵阳的散文必须通达学者与作家之两个领域,必须 Read Zhao essay, read two kinds of brushwork. One for Shu Fang, one for the gather. The two are not contradictory. Written notes, parents in the short, Zhao Yang often write freely, take notes, like the surging Huaihe random pick a few waves, totally natural, this is Shu Fang; But also has a rational speculation, the theoretical interpretation of the full integration into the landscape travel and ancient and modern feelings of emotion, this is the gathering. Two styles are often combined, which is the highlight of Zhao Yang’s prose in art. In other words, Zhao Yang’s essay must reach both the field of scholars and writers, must