电影《生死抉择》出现在世纪之交的中国银幕上,并引起了整个中国的审美关注和政治议论,上至党的总书记,下至普通老百姓,人人争看《生死抉择》,人人争说《生死抉择》。这决不是一次偶然的艺术事件和审美现象,而是当代中国社会所处时代特点的一种美学表现,有它历史的必然性。它所提供给我们的审美的观照和思考的文化信息,是整个中国站在跨世纪的门坎上,在深度改革开放与新旧交替的关键时刻,回望自己已经走过的历程,直面存在的党内腐败现象,面临新世纪来自全球化更为艰巨也更为伟大的挑战,中国共产党和中国人民对自己前途与命运生死存亡的沉重忧虑和千年思考;在新的时代条件下,中国共产党怎样带领中国人民去实现中华民族伟大复兴的目标。这是当代中国的 The movie “The Choice of Life and Death” appeared on the Chinese screen at the turn of the century, and aroused the concern and political discussion of the whole Chinese. From the general secretary of the party down to the ordinary people, everyone contests “life and death choice,” and everyone Contention that “life and death choices.” This is by no means an accidental event of art and an aesthetic phenomenon. It is an aesthetic manifestation of the characteristics of the times in contemporary Chinese society and has its historic necessity. The cultural information it provides to us for aesthetic consideration and reflection is the moment when China, as a whole, stands on the threshold of the new century, looking back at what has gone by and facing the existing party The phenomenon of internal corruption is confronted with the challenges of becoming more arduous and greater in the new century in the new century. The CPC and the Chinese people are seriously worried and thinking about the future and destiny of their own life and death. In the new era conditions, how does the Chinese Communist Party lead China? People realize the goal of the great rejuvenation of the Chinese nation. This is contemporary China