一 雕塑不论中外,成功之作必须是形式与内容的统一,创作动机与社会效应的统一。中国汉代各种雕塑,比如霍去病墓前的石雕《卧虎》,为什么能够引起西方观众的兴趣?这也像中国现代观众对古希腊雕塑,如《胜利女神》感兴趣一样。富有审美价值的雕塑,对个性不同的审美主体有普遍的适应性,虽然他们具体的审美感受也有不同。汉代石雕《卧虎》的造形虽很粗犷,古希腊《胜利女神》虽已丧失了头与双臂,但这两件作品都富有传神的美——前者寓动于静,后者正要飞腾 A sculpture, both at home and abroad, must be the unity of form and content, the unity of creative motivation and social effect. Chinese sculptures of the Han Dynasty, such as the “Crouching Tiger,” a stone carving in front of Huo Tomb, are able to attract the interest of Western audiences. It is just as much about the interest of ancient Chinese sculptures as the “Goddess of Victory” by modern Chinese audiences. Aesthetic value of the sculpture, the aesthetic personality of different general adaptability, although their specific aesthetic feelings are different. Han Dynasty stone “lying tiger” shape is very rough, the ancient Greek “Victory Goddess,” although he has lost his head and arms, but these two works are full of vivid beauty - the former Yu Jing move, which is about to fly