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传统“自然”范畴在五四诗坛的接受,是以文学变革的话语形式呈现的。由于文化态度不同、诗学建设目标不同,“自然”在自由派和古典派诗论家眼里建构意义也各不相同,因此存在着文体上“绝对自然主义”与“规律主义”、韵律上“自然的音节”与“人工的音节”、境界上“推翻一切枷锁镣铐”与“从心所欲不逾矩”等一系列张力。两种“新诗现代化”方案既对峙对抗,又对话互补,构成了现代诗学建构的复调传统,其对新诗形式建设意义不可低估。
The acceptance of the traditional category of “nature” in the May Fourth poetic world was presented in the form of discourse of the change of literature. Owing to different cultural attitudes and poetic goals, “natural ” has different constructive meanings in the eyes of liberalist and classical poetologists, so there exists a pattern of “absolute naturalism ” and “laws On the rhythm, ”syllables of nature“ and ”artificial syllables“, on the realm of ”overthrow all shackles and shackles“ and ”from the heart do not exceed the moment“ and a series of tensions. The two programs of ”Modernization of New Poetry" not only confront each other but also complement each other, forming a polyphonic tradition in the construction of modern poetics. Its significance to the construction of new poetry can not be underestimated.