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与以往不同,当代电影美学风格的研究总是与社会、历史现实相关,与文史哲研究有着千丝万缕的联系。“这个研究趋向并非舍弃个人化的风格探索,而是从一个客观的角度,把导演个人自觉或不自觉地与他那个时代的主流电影风格对比之下显现出的特性,作为其独树一帜之风格的研究基础。”~(1)因此,政治、历史、文化等因素应理所当然地与第四代导演的美学风格研究联系起来。任何一种美学风格的形成都不同程度地受到了前人的影响,都有它特殊的生成语境。第四代导演也不例外,其美学风格的
Different from the past, the study of the aesthetic style of contemporary film is always related to the social and historical reality, and is inextricably linked with the study of literature, history, philosophy and philosophy. Instead of abandoning a personal exploration of style, this research tends to present the objective characteristics of a director’s individuality consciously or unconsciously compared with the mainstream movie style of his time as a unique style (1) Therefore, political, historical, and cultural factors should be taken as a matter of course in connection with the fourth-generation directors’ aesthetic style studies. The formation of any kind of aesthetic style is affected to some extent by its predecessors, and has its own special context. The fourth generation of directors is no exception, its aesthetic style