对于呼吸来说,其被当成是一切生命的根基,在钢琴演奏过程中,一旦失去了应有的呼吸,那么所演奏的音乐就会被当成是毫无生命力的、死气沉沉的音乐。无论哪一部音乐作品,其往往是由一个又一个的呼吸链来加以构成的。在奏法上,一个个呼吸链在有些时候具有连贯性,有些时候具有断开性,而有些时候又具有跳起性。对于钢琴演奏过程同样是如此,无论演奏是何种音乐作品,在呼吸中,其表现出的是既往如一、从未断开的状态,从某种程度上来看,其与声乐中所提及的“音断意不断”具有显著的相似性。基于此,本文将重点分析运用气息演奏的作用以及如何运用气息进行演奏。 For breathing, it is regarded as the foundation of all life. Once the piano has lost its proper breathing, the music it plays is treated as lifeless, lifeless music. No matter which piece of music works, it is often constituted by breathing chains one by one. In the meantime, the breathing chains one at a time are coherent at times, sometimes disconnected and sometimes jumpy. The same is true of the piano playing process, no matter what kind of musical performance, in breathing, it shows the past as one, never disconnected state, to some extent, and vocal mentioned “Sounds on and off ” has a significant similarity. Based on this, this article will focus on the analysis of the role played by the use of breath and how to use the atmosphere to perform.