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随着全球化进程,文学出现了所谓的“世界主义”倾向。当代文学这种“世界主义”国际化趋势,除了背后席卷全球的国际资本暗流涌动之力外,其内部一个重要原因是生活本身“本真性”的逝去而导致的原创性危机。丹尼尔·克尔曼是当代最成功的德语作家之一,每有新作推出都会引起评论界的广泛关注,但他仍然深受原创性危机的困扰,在他2013年推出的新作长篇小说《F》中,我们可以很好地看到作者对当下同质化生活和艺术家原创性的焦虑及其对于出路的思考。
With the progress of globalization, there has been a so-called “cosmopolitan” tendency in literature. In addition to the surging influence of the global capital undercurrent which is sweeping across the world, this “cosmopolitan” international trend of contemporary literature is one of the important internal causes of the “originality crisis” caused by the passing of life itself . Daniel Kerman is one of the most successful German writers in the world. Every new work launch will attract the attention of critics. However, he is still plagued by the original crisis. In his new novel “F” We can well see the author’s anxiety about the homogeneity of life and the originality of the artist and his thinking on the way out.