“修心,要远离‘颠倒幻想’,但我们拍电影的,每天也在制造‘颠倒幻想’,弄得身心遍体鳞伤,同时却要保持清醒,你说恐怖不?但这本来就是一种非常大的矛盾,我却乐于生活在这种矛盾之中,享受因这矛盾而带来的痛苦感觉。”这是导演周显扬创作《大追捕》的缘起。对于一个年轻导演来说,想要在几乎已经被判过气了的香港警匪片中谋求新的突破和发展,需要的,不只是一点勇气。但是处女作《杀人犯》还是让人看到了这个曾先后担任过著名制片人江志强及导演李安助理的年轻人,对警匪片的独特思路。这部集悬疑、警匪、动作、爱情于一身的商业电影,不但充满着对感官世界的刺激及娱乐性,也值得人们在观影之后,有那么一点点新的启示。因为他的暴力美学,和别人,有点不一样。 “Cultivation, to stay away from ’upside down fantasy’, but we make the movie, every day is also creating ’inverted fantasy’, so that body and mind over and over again, at the same time, but to keep awake, you say that horror? But this was a very Big contradiction, I am happy to live in this contradiction, and enjoy the pain caused by this contradiction. ”This is the director Zhou Xiangyang creation“ hunt for ”the origin. For a young director, it is not just a little bit of courage to seek new breakthroughs and developments in Hong Kong gangster films, which have almost been outraged. However, the debut “murderer” still gives people a unique idea of ​​gangster films as a young man who has served as a famous producer Jiang Zhiqiang and director Ang Lee. This set of suspense, cops and robbers, action, love in one of the commercial movie, not only full of sensory world stimulation and entertaining, but also worth people after watching the movie, so a little new revelation. Because of his violent aesthetics, and others, a little different.