说起西藏,人们会不约而同地想到高原“天路”——青藏铁路,会想到拉萨、布达拉宫,对藏文化了解较为深入者还会如数家珍般地列出六字真言、玛尼堆、转经筒等。说到藏族文学,人们大多会说出阿来或其《尘埃落定》。不可否认,人们提到的这些都是重要的藏地符号,是藏文化的重要组成部分,但若将西藏作为一个文化概念,其内蕴要丰赡深广很多,而作为中国当代文学重要组成部分的藏族文学的作家构成也更为繁复多元。和平解放、自治区成立、民主改革以来,藏区的政治、经济、文化等领域都发生了前所未有的变化,尤其是文化领域。藏族学者丹珠昂奔在《藏族文化 Speaking of Tibet, people will spontaneously think of plateau “Heaven ” - Qinghai-Tibet Railway, will think of Lhasa, Potala Palace, more in-depth understanding of Tibetan culture will also be described as the most precious word of six mansions, Mani Heap, turn barrel and so on. When it comes to Tibetan literature, most people will say that Ahlai or “the dust settles.” It is undeniable that these people mentioned are important Tibetan symbols and important components of Tibetan culture. However, if Tibet is to be regarded as a cultural concept, its essence should be supported by a broader and broader scope. As an important part of contemporary Chinese literature, The writer of Tibetan literature is also more complicated and diverse. Since the peaceful liberation of the autonomous region and the establishment of the autonomous region, since the democratic reform, there have been unprecedented changes in the political, economic and cultural fields of Tibet, especially in the field of culture. Tibetan scholars Dan Zhuang Ben in the "Tibetan culture