如果说批评是一种判断,则我们时常所接触到的艺术批评便很难算是健全的形态,因为这些批评多是一种理性判断;而作为对“判断”概念的常识性理解,并顾及艺术批评的特殊对象,我们应不至于忽略情绪判断的价值存在。不幸的是,近年来比戏剧创作更显得活跃的一些戏剧批评常证实着这种不该有的忽略。为使这种情形不致再被忽略下去,看来有必要从理论上明确宣示:要健全社会主义的戏剧批评形态,须努力建构戏剧批评的情绪类型。批评的价值从来就不是寓涵 If criticism is a judgment, then the art criticism we come into contact with from time to time can hardly be considered a sound one because many of these criticisms are rational judgments; as a common understanding of the concept of “judgment,” and taking into account the art We should not neglect the value of emotional judgment for the particular object of criticism. Unfortunately, some dramatic criticisms that have become more active in the recent years than drama creation often confirm this unwarranted ignorance. In order that this situation will not be ignored any longer, it seems necessary to make a clear declaration in theory: To improve the socialistic form of dramatic criticism, efforts must be made to construct the emotional type of dramatic criticism. The value of criticism is never connotation