一,小程村“思”对事物的理解可以是横向也可以是纵向的,在考察中也进一步认知到如今在建筑景观业界普遍存在着“重实践、轻人文”的现象,探讨与关注“现代与既往、时代与地情”的人文关系已经成为时下的必须。胡塞尔的现象学方法是指意识活动的内容,运用反思去还原原初的意识构造,基于此的延展是海德格尔存在论的现象学与梅洛一庞蒂的知觉现象学。在建筑、景观的研究中,完全可以利用现象学的哲学方法去认知现代建筑、景观,研究中国文化在建筑环境艺术领域当中的各类现象,将景观与地城乡土内涵的传承与地域文化相对应,研究二者之间的文化渊源及其联系性,探索景观文化时空场所的现实意义,解析与延展中国的乡土、本原、生态文化在设计领域里的运用主导。有鉴于此,回溯延川小程村色彩斑斓的民间布贴工艺与那日渐荒废的生态村落给 First, the small village “thinking ” understanding of things can be horizontal or vertical, but also in the study also further recognized today in the architectural landscape industry, there is widespread “practice, light human ” phenomenon , Exploring and focusing on the humanistic relationship between “modernity and past, times and earth” has become a necessity nowadays. Husserl’s phenomenological method refers to the content of the consciousness activity, and uses the reflection to restore the original consciousness structure. Based on this, the extension is Heidegger’s ontology and Phenomena-Ponty’s perceptual phenomenology. In the study of architecture and landscape, it is entirely possible to use phenomenological philosophy to recognize modern architecture and landscape, to study various phenomena of Chinese culture in the field of architectural environment and art, to combine the landscape and the inheritance of the connotation of urban and rural areas with the regional culture Correspondingly, it studies the cultural origin and connection between the two, explores the practical significance of the place of landscape culture in space and time, and analyzes and extends the domination of the application of native culture, primitive culture and ecological culture in the design field in China. In view of this, back to Yanchuan Chorai colorful folk cloth technology and the increasingly deserted ecological village to