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张照书韩愈《石鼓歌》碑作为北京孔庙和国子监博物馆的重要石刻文物,具有深厚的历史底蕴和文化内涵。此碑的碑文书法是张照于乾隆五年(1740年)担任刑部侍郎期间所书写,为张照书法生涯巅峰期的代表作品之一;而这篇《石鼓歌》书法作品被形诸碑刻,则是张照与乾隆皇帝君臣翰墨相知的产物和见证。张照最初书写《石鼓歌》的用意,既有对韩愈偏颇批评王羲之书法的矫正,同时也暗含了张照与韩愈在“文以明道”、“书以载道”等观念上的相契相合、异曲同工之意。
Zhang Zhao Shu Han “Stone Drum Song” monument as Beijing Confucius Temple and the Imperial College Museum of stone carvings, has a profound historical background and cultural connotation. The inscription calligraphy of this monument is one of the representative works written during the five years of Qianlong (1740) as assistant minister of criminal penalties, and is the peak of Zhang’s calligraphy career. , It is Zhangzhao and Emperor Qianlong emperor Mohan know each other’s products and testimony. Zhang Zhao originally wrote the intention of “Stone Drum Song”, which not only criticizes Wang Xizhi’s calligraphy correctives to Han Yu, but also implies Zhang Zhaoyuan and Han Yu’s notions such as “Wen Ming Tao” and “Shu Zi Dao” On the cohesion, similar to the meaning of the same song.