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当我把“观众”作为研究对象,并试图对这一概念进行阐述的时候,我就发现了它的复杂和阐述的困难。“观众”既是单个的,又是集合的;既是具体的,又是抽象的;既是现实的,又是潜在的;既是历史的,又是文化的;既是艺术美的接受者,也是艺术美的创造者。观众的上述多重属性决定着它的制约因素的非单一性和表现形态的多样化。观众在审美过程中,在实现对艺术美的创造的同时,还创造着独特的自我。例如戏剧在其诞生的瞬间,它的观众也随之诞生;后来有了电影,就有了电影观
When I took the “audience” as my research object and tried to elaborate on this concept, I found it complicated and elaborated. The “audience” is both individual and collective; it is both concrete and abstract; it is both real and potential; it is both historical and cultural; it is both a recipient of artistic beauty and a creator of artistic beauty . The above multiple attributes of the audience determine the non-uniformity of its constraints and the diversification of manifestations. Audience in the process of aesthetic, while achieving the creation of artistic beauty, but also create a unique self. For example, the theater was born at the moment, its audience also followed; with the movie, there is a movie concept