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中国现代史上的一些知识分子和文学家的痛苦与矛盾,有着极其复杂的历史渊源,许多问题是与民族命运和个体生存直接相连的,比如社会理性与个人信仰、群体理想与个体心性等诸种冲突的交锋。在20世纪30年代政治化趋向语境中,施蛰存的政治与文学追求相背离,是为革命者还是为文人的身份认同引发施蛰存的身份焦虑。《将军底头》中花惊定在“大我”与“小我”之间的身份冲突与身份认同的痛苦、矛盾正是施蛰存身份焦虑的投射。
The suffering and contradictions of some intellectuals and writers in the modern history of China have extremely complicated historical origins. Many problems are directly linked to national destiny and individual existence, such as social rationality and personal beliefs, group ideals and individual psychology Conflict clash. In the context of the trend of politicization in the 1930s, Shi Zhecun’s political and literary pursuit departed from his identity as a revolutionary or literati, triggering Shi Zhecun’s identity anxiety. “The bottom of the general” Zhonghua Jing set in the “big” and “self” identity conflict and identity of the pain, the contradiction is Shi Zhecun identity anxiety projection.